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Medea (Hackett Classics), by Euripides
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This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review
- Sales Rank: #181869 in Books
- Published on: 2008-03-21
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.50" w x .25" l, .25 pounds
- Binding: Paperback
- 104 pages
Review
"Arnson Svarlien's translations ... remind me of why I love Euripides."�
����������������� --Laurel Bowman,�Department of Classics, University of Victoria (added by author)
"Decisively the best translation I have seen--it doesn't strain for cheap effects."
��������� --Tom Tucker,�Isothermal Community College (added by author)
"A�translator who can write with genuine distinction ... with a rare sense of rhythm."
������������������������� --Malcolm Heath,�Greece and Rome (added by author)
"This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson-Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean." --David M. Schaps, Bryn Mawr Classical Review
"Fluid, lively, and accurate!" --Amy Vail, Department of Classics, Baylor University
From the Back Cover
Critical acclaim for the Arnson Svarlien & Mitchell-Boyask Alcestis, Medea, Hippolytus, also available from Hackett Publishing Company:
"The excellent Introduction by Robin Mitchell-Boyask displays an admirable command of up-to-date scholarship and judiciously leaves controversial matters open to one's own interpretation. Arnson Svarlien's verse translation has both elegance and power--it reads well, not just to the eye, but (happily for the director and actors) also to the ear."
-- Ian Storey, Department of Classics, Trent University
"Mitchell-Boyask's Introduction gives the reader a lively and accessible overview of Euripides' life, the circumstances of the original performances, and critical debate on the three plays. Footnotes to the translations provide students with useful background without over-burdening the text.
"The translations themselves are lively, vigorous, colorful, and direct, while remaining very close to the Greek; I laughed out loud more than once when I realized that, yes, this was exactly what Euripides had said. Arnson Svarlien has also taken care with the meter. Iambic trimeter, the 'spoken' meter of Greek, has been represented with iambic pentameter in English; but even in the lyric passages, whose meters do not translate into English, responsion within odes has been preserved. Yet all of this attention to such details of meter and accuracy sacrifices nothing in clarity or pace. Arnson Svarlien's translations are an ideal introduction to Euripides for students with no Greek and little knowledge of the ancient world. They remind me of why I love Euripides."
- Laurel Bowman, Department of Classics, University of Victoria
Diane Arnson Svarlien is Visiting Associate Professor of Classics, Georgetown College.
Robin Mitchell-Boyask is Associate Professor of Classics, Temple University.
About the Author
Diane Arnson Svarlien earned her PhD in Classics at The University of Texas at Austin and lives in Lexington, Kentucky.
Robin Mitchell-Boyask is Professor of Classics, Temple University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Worth it
By Ariel
Of the Greek tragedies I've read so far, Medea is my favorite. The footnotes are informative and provide a lot of important context. While I wouldn't go so far as to call this a bad translation, there were places where I found the word choice boring or overly simple. "The pain is good as long as you're not laughing," seemed particularly clunky compared to the "My pain's a fair price to take away your smile," I was familiar with. But overall this translation is coherent and flows reasonably well.
1 of 1 people found the following review helpful.
More modern than I had expected
By Sean C
Far darker and more modern than I had expected. I can see why this play lives and remains famous long after more traditional plays of its times have become obscure. Far more realistic in some way than Shakespeare, honestly. The argument between Jason and Medea at the very end feels incredibly true to life; bitter recriminations, neither side listening to what the other has to say, leading to absolutely no resolution; no sense of justice whatsoever, either from society or the Gods, and no sense of any to come, either. I mean, Jason paid for what he did, granted, but there's no sense that justice really figures into it. Of course, this is all in translation, so of course it seems more modern in that sense than Elizabethan theater, but the story itself contains so much less poetry in its structure that it's honestly hard to believe that this piece is 2,000 years older than, say, Hamlet. Not, of course, that that's everything; Hamlet is a masterpiece, too, but one of a very different sort. My point is more that there's considerably more to get out of at least this bit of Greek theater than you might think, if you've never read any...
4 of 5 people found the following review helpful.
Well Translated
By Kenneth Candelas
I enjoyed the story very much, and it was nicely put together! Accurate!! I found myself reading more and writing notes for class in the margins. It may be an old story but it's definitely still intense!
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